
From all of us here at IC.

I don't understand why you guys are so angry. You chillbros need to smoke a fat doob and relax, man. Mellowbro Peter obviously feels me, what with his Soulja Boy post below (sick beats, brah!).




Metallum/Last.FM
Anyobody remember way, way, way back this morning when Brother Seanford put up his second post about music from the Commodore 64 computer gaming system? Or how 'bout the first one? Anyone? No?
In a way, the C64 game system occupies the same part of my brain where ultra-kvlt one-man bedroom black metal bands live--A dark, obscure region where things seem cooler the less you know about them. Such is the true nature of the chronic music collector and/or gamer. The grass is always greener on the B side, right? But obscurity does not necessarily equal listenability. Bands like Nyogthaeblisz, Abominable Putridity, or Gorugoth might be fun to speculate about due to their relative weirdness and inaccessabilty, but when push comes to shove, their music just ain't that great. Sometimes, you just need a cold beer and Master of Puppets.
A bootleg 2 CD recording containing no less than 116 of your favorite NES theme songs, from the classics (Rygar, Punch Out, Metroid, Contra) to the strange and forgotten (Golvellius, Cobra Triangle, Guardian Legend, Gradius, Clu-Clu Land). This collection comprises approximately one (1) metric fuckton of killer jams, almost 2 and a half hours of 8-bit goodness all in one place. 100% worth it for mere novelty/nostalgia value, but upon closer listening, complex polyphonic compositions like "Gumshoe, Stage 1", "Kid Icarus, World 2", "Wonder Boy 3, The Last Dungeon", and "Rush'N Attack, Stage 1" will keep you coming back like a crack rock salt lick.
Fuck, this is almost as good as listening to Bill Cosby talk about shooting heroin.
Almost.
Download HERE
But wait, there's more!
All this talk about one-man kvlt bedroom black metal and sweet 8-bit Nintendo music reminds me: You guys should really check out XEXYZ. This Illinois band is comprised of one dude named Rev, and succumbs to all the pratfalls of lo-fi BM--tinny guitars, flappity drums, questionable recording quality, Varg-y screeching--but there's a catch... All this shitty noise is played over the top of some of your favorite NES themes (again, Rygar and Metroid are present). So yeah, this is goofy as fuck, but oddly catchy too. 2006's Primeval Mountain was the only thing Xexyz ever released. You need it.
Download HERE
Purchase the 2008 re-issue (w/ one extra track) HERE
Metallum/Last.FM







What a strange and fascinating cultural phenomenon we have in Neil Hamburger. Only a society steeped in the ways of irony and stupidity would turn a comedian whose whole shtick is being "unfunny" into a red-carpet celebrity (see below), and in a way, the modicum of success that he has achieved gives me a glimmer of hope for our poor, doomed race--that there may in fact be a shining golden nugget at the bottom of humanity's endlessly depressing Bag of Tricks, that it's okay to hope, perchance to dream.
Today I have chosen to share Neil's first two official releases, 1996's America's Funnyman and 1998's Raw Humburger. These came out before Hamburger had fully found his "identity", before the constant, disgusting throat-clearing, the audience participation, the fame, the fortune. They basically amount to really really REALLY bad comedy performed over canned audience noise and planned heckling, but that's the charm. I mean, NO ONE can deny the comedic genius behind Funnyman's "The X-Rated Hot Dog Vendor". NO ONE.

Last.FM 
Creepy-ass bleep-bloop Simonetti-isms from the one and only Walter (real name "Romano") Rizzati, recorded as accompaniment to the Lovecraftian Lucio Fulci masterpiece House By The Cemetery (AKA Quella villa accanto al cimitero). Composer Alessandro Blonksteiner also contributes 4 tracks, but this is mostly a Romano affair--which brings me to an interesting point: this soundtrack has received very limited and spotty release, as an impossible-to-find, limited-to-500-copies overseas release (right), and as a "Fulci double feature OST" type affair (below left), packaged with Fabio Frizzi's Manhattan Baby soundtrack (not to mention a bunch of boring interviews and other assorted detritus). This ends now.
HBTC is a wonderful spaghetti-horror flick, deserving of a great soundtrack. Rizzati and Blonksteiner's creation is just that, a spooky electronic ride through utter suspense and creeping terror. I'm already a sucker for Italian horror soundtracks, but this sucker is extra special. Man oh man.
Separated at birth?
THE HAPPY FAMILY
(Fact: This was the very next film Mr. Rizzati scored after HBTC)
(Talk about a BAD HAIR DAY! HAW! HAW! HAW!)
(Jack Nicholson With Switchblade does not actually appear in the film)


