Showing posts with label Stuff by Nothing Left Inside. Show all posts
Showing posts with label Stuff by Nothing Left Inside. Show all posts

Saturday, November 24, 2012

Judy Speaks




For nearly 40 years, Judy Garland was the icon of the Hollywood life and classed as one of the greatest entertainers of her generation. She was performing on stage and in movies from a very young age and at 16 she brought The Wizard Of Oz to life on the big screen. She followed this with many movies and a staggering amount of concert appearances that broke box office records.
Behind the scenes it was a different story. From an early age, MGM Studios had been plying its young actors with ampthetamines and barbiturates to keep them going through the back to back filming schedules required to keep new movies being released. This went hand in hand with the glitzy lifestyle and constant rotation of work/party/premiere/work that made up the backbone of Hollywood.
Despite a hectic work schedule and much critical acclaim, Judy Garland's personnel life was a shambles. By the early sixties, five marriages and a life long battle with alcohol and drug abuse had taken its toll on her. In a bid to get her back into the public's eye it was decided she would write an autobiography. Enter her agent, Irving "Swifty" Lazar. He supplied the ailing star with a reel to reel tape recorder and got her to use it as a way to get the book started as well as maybe come to terms with her problems.
What follows has become known as the "Judy Speaks" tapes. Still mainlining pills and a ludicrous amount of gin, she sobs and screams at ex-husbands, film executives, her complete distrust of the recording device and pretty much everyone who she believes led her to this point in life.


Bear in mind that its pretty heavy going at times. Her booze soaked rendition of Somewhere Over The Rainbow is pretty heavy. As legend goes, these tapes got confiscated after her death in 1969 and ended up locked away in a publicist's vault before getting a public release some years ago. Judy's family actually petitioned for them to be denied a release but the court ruled otherwise.



Its pretty heavy going stuff at times. Some brief moments of cohesion and happiness are soon washed away by Judy's gin soaked anger and vitriol. Be warned.



Monday, November 5, 2012

Brian May - Mad Max OST (1979)

I shouldn't have to fill you in on the whole deal with Mad Max. Its a given that its awesome. George Miller's 1979, dystopic classic was burned into my eyeballs at a very young age and from that moment I was obsessed with it.


I'm not going to wax lyrical and blather on about how awesome nearly every aspect of this movie is, if your reading this then you already know. This post deals with the superbly dramatic orchestral score courtesy of Brian May.

First off, its not "that" Brian May, its the Australian Brian May. Well known in his native country for his countless work in TV and film ( he composed the Countdown theme) he is mainly known here at Nothing Left Inside Towers as the musical genius behind Mad Max and its sequel The Road Warrior as well as classics like Road Games, Turkey Shoot and Dr Giggles.

Secondly, this is certainly not driving music. Unless you are on a  single minded mission of revenge then I wouldn't advise driving any distance with this blasting. A mistake I have made on many an occasion.
Mr May's compositions most certainly add a lot to the movie. The combination of sharp bursts of discordant noise and slow rumbling build ups pick out at many of the most stand out scenes. Think of every time the Interceptor comes into shot, they always have a sinister burst of brass instrumentation, every time any of the Toecutter gang get nasty Brain May stabs the mood with a sharp, nasty screech of cello. Even something as small as the opening shots of the Halls Of Justice and the highway with the skull and warning signs is given such brooding menace by the triumphant but evil work of this Australian genius. Please enjoy.












Friday, September 28, 2012

Wode - Demo 2011


Its not often I rep local talent or really pay attention to what's going on in my "scene" but every now and then a band comes along that perks my interest. Wode, from my barely frost bitten locale of Manchester, have perked my interest quite a bit lately. Having been fortunate enough to witness them on quite a few occasions over the past year they have blown me away every time. A full on blizzard of harsh but melodic guitars swirling around a rampaging drum assualt and topped with hoarse desperate vocals. Along similar lines to Wolves In The Throne Room combined with touches of Dark Funeral and early Nachtmystium.
If that sounds good then you owe yourself a listen to this beast below.




Monday, August 6, 2012

When drawing goes wrong pt3. Photoshop abortions.

During the previous two installments, here and here, it gradually became apparent that even amongst the bad album artwork that plagues the Internet and peoples music collections there are even worse examples of dreadful artistic vision and crap delivery. Previous posts concentrated on art that was in the most part actually drawn/painted/dribbled out by someone. They might not have had much of a idea about anatomy or have ever seen a women naked but they at least possess, in the loosest sense, charm.
Tonight's post deals with those most heinous of culprits when it comes to bad album artwork. The Photoshop abortions. Your technology can't save you.

To kicks things off, IllCon follower SoulReaper recommended this blinding piece of ham fisted photo shopping nonsense. Dismal Euphony....dismal euphotoshoppy. Sorry.


This was always one of the first things that came into my head whenever anyone mentioned bad photo-shopping. You have all manner of tools at your disposal  yet you can't even get the lower jaw of a skull right!


Not content with making it look like some pre-1997 PC game art they just go and use the most basic, default font.


You'll never get anything started slacking off like that Mr Speckmann.


Another example of not only being dreadful ( I mean look at it!) but knocked even more for having a bog standard font. Plus, a dreadful album title.


I can wager that if this image, an angel being defeated and having its life force sucked out by a demon inside a church, had been hand drawn and coloured I would probably have thought it pretty cool. Sadly someone got to it with Photoshop first.


If ever a single image summed up the plight of the regular IllCon follower then this album cover is it.


I like Benediction. I don't like this artwork. 


I still haven't been able to work out if this band are a joke or not. I could only get about 20 seconds into this video. This artwork and album title certainly suggest its all a joke.


The soft-porn/1997 "adult" PC game vibe was perfectly nailed on these two covers by everyone's favourite band we all claim not to like.




German engineering perfection. No.


Another example of quality band let down by PS1 quality artwork. it doesn't really fit.


You send something off to the printers, you send it at the right resolution don't you. I have been aware of this one for ages but I never knew the actual band name, I still don't.


Not often do tasteless album title/artwork concepts combine with bad Photoshop. But when they do the results are pretty special.


I can spot a circular saw, cyborg eyes, pink hair, robotic boobs and what looks like parts of a motorcycle. its not a magic eye image either.


Its like the cheap version of a Minotaur. A bemused armadillo. Doesn't really chase you round the maze. Just sits there looking confused.


Hypocrisy have quite a few probable entries lurking in that back catalogue of theirs. Funnily enough nearly most of it has been reissued in recent years with different artwork. I'd like to think that's because they looked back in horror at the below image.


To top it off is the one that got mentioned the most in past correspondence. Iron Maiden have done many great things for metal but this artwork certainly wasn't one of them. In my research I came across a story about how this was originally a mock up of the concept. The band saw it and decided to use it. Maybe save a bit of money. It may be true it may not be, it does sound like something you would say after many years of reflection and you slowly come to the realisation of how lame your album art is. I always like to think that Iron Maiden don't really need to go near computer technology. keep the two separate. Ed Hunter was bad enough.


Once again I will leave it up to you guys to let me know if there are any that deserve inclusion? In all fairness I spent quite a bit of time trawling the Nuclear Blast, Spinefarm and Roadrunner back catalogues and its almost another full post on some of the lame art those guys have hidden away.

Thursday, July 12, 2012

Oakhelm - Betwixt and Between (2007)



Regular IllCon followers should know of the name Pete Jay and the quality musical output he has been part of. Quality shit such as Wormwood and Black Queen, both can be obtained here, and also of the all-mighty Assuck for those unacquainted.
Pete has been busying himself with Oakhelm (alongside members of the also pretty awesome Fall of The Bastards and Lovecraft inspired Aldebaran)  for some time now. I discovered this album a few months ago and it became something of a regular on my daily work route and then by chance I happened across the impressive green/yellow vinyl pressing of this in a second hand store. Both these events made up my mind about sharing it with you guys.
Oakhelm play a brand of black metal influenced by Viking and folk themes as much as double bass and raspy vocals. The whole Viking thing has never been something I really got when it came to the various sub-genres of metal that populate the musical landscape these days. I always found it somewhat cheesy at the best of times. Maybe its growing older or just a maturing of my musical palette but the tastefully composed acoustic breaks, chanting and well placed samples ( they actually recorded waves crashing against the shore, rainfall and a crackling campfire) just click with the rampant double bass, harsh riffing, twin leads and dual vocals. Some solid, Viking and folk influenced black metal from solid players.






On a unrelated note, I am beginning to compile the next part in the When drawing Goes Wrong series, Photoshop Abortions. Of course dealing with those heinous photo shopped album covers we all know. I thought I would throw it open to the IllCon contingency after the snowball of mentally crippled art posts and community high fiving that resulted in the superb MS paint thread. Anyway, if you know of any special needs, photo shopped terribleness in art form, then feel free to share it with us. You can email whipit@hotmail.co.uk or message via here and here.

Monday, June 25, 2012

Bernard Herrmann - Taxi Driver OST (1976)



Like most people, I work a pretty shitty job that takes up far too much of my time. Unless your one of the very small ( and depending on your opinion, either lucky or annoyingly smug ) minority that loves your chosen vocation, I can pretty much guarantee that we all think about losing control from time to time.
One such person that did lose control was a man named Travis Bickle. He was a fictional character in the 1976, Martin Scorsese directed motion picture, Taxi Driver. You should all know about it.
The musical score to this great film was handled by this man......


Bernard Herrmann was a highly respected composer within Hollywood. Racking up a stupidly impressive body of work that included much radio work and live orchestration.. He scored nearly all of Hitchcock's films ( including The Birds, which doesn't feature any music. just electronically generated bird sounds) as well as creating the signature music for other classics such as The Day The Earth Stood Still, Fahrenheit 451, Cape Fear and The Bride Wore Black. He worked with Ray Harryhausen on Jason And The Argonauts and The Seventh Voyage Of Sinbad. Composed and conducted the music for Orson Welles original radio broadcast of War Of The Worlds and the stirring and dynamic score for today's post, Taxi Driver. His final work before his death in 1975.
The score for Taxi Driver perfectly compliments Robert De Niro's portrayal of Vietnam vet turned New York cabby, Travis Bickle. The combination of traditional jazz instrumentation and discordant bursts of brass perfectly underpin his slide into psychosis and eventual vigilantism while painting a very dark and grimy view of 1970's New York.


I used to listen to this on a regular basis before work. Now, I don't know if that was really a good thing or not and I am pretty sure a lot of people would argue that it was. The version below is the 1998 reissue. It features all of the music Herrmann recorded for the film as well as a few extra pieces of background music. It also features this little number.......


This is the one I used to listen to the most before work. I hate working.

So hopefully you should enjoy this. Maybe it will help bring change into your work life or work environment, maybe it will just help you scare a few people. Hopefully you will just enjoy it.



"Someday a real rain will come and wash this scum off the streets"





Friday, June 1, 2012

When drawing goes wrong pt2.

I am going to put it out there and say that it was pretty sweet seeing the level of response to the previous bad artwork post. Then the remedial prison, rehabilitation art ball rolled into the MS Paint album covers post, which we all agree was beyond awesome. To quote the head honcho, " we have the best goddamn motherfucking readers on the entire Internet, you guys rule."
On that slushy note, here is another selection of some of my favourite "bad art" album covers. Once again. Despite a complete lack of art skill and in some cases complete lack of human anatomy, I do hold a certain level of respect for these awesome images.



Pretty obvious what these guys think about all the time isn't it? I can wager it isn't being in a band.


God bless the Scorpions for consistently proving themselves to be guitar wielding numb skulls of the highest order. I have a slight bit of respect for the German chumps over the fact that when it comes to making some sort of statement, The Scorpions are always going to express it at a unbelievably low level of both class and awareness. With Animal Magnetism they surpassed themselves and wouldn't manage to beat it until 1996 when they hit us with this guy.....


See what I mean, deep stuff.


Future barbarian, biker, outlaw judge? Who knows but Battle Axe. They charged into the art the same way they approach they're sweet metal jams. With more enthusiasm than skill.


I really dig this one. Its just an awesome image. Plain and simple. Of course maybe the artist wasn't exactly up to the job but I am letting it slide.


It was mentioned last time so here it is. I never thought I would say this but Metal Magic really was a step up for these guys after Projects In The Jungle.


Karisma with a "K". Pretty sure that's a rabid walrus either escaping from some kind of imprisonment or just hanging out. Awesome.


Yes, that is a skull faced nudist raising a severed penis above its head atop a volcano. Thanks for noticing.


Everyones favourite NWOBHM never was's prove that you shouldn't fear evil. Fear death and badly drawn skulls instead.


Some evil, Christ baiting black metal? No? Oh sorry my mistake. You look like your having far to much fun at camp to be actual black metallers. She most certainly is having far to much fun streaking for Satan.


You shouldn't really expect too much when diving into the putrid trough of goregrind/pornogrind nonsense, its meant to be offensive. But this certainly plumbs some stinky depths.


Another one mentioned last time and its a cracker. Really what can you say about this? 
Once again, Any of you guys want to throw some more into the ring? We are open to suggestions for any you can think of to top these.

Saturday, April 21, 2012

When drawing goes wrong pt1

You may have seen those worst album cover lists going round on all the other, slightly less cool websites? Well I have been collecting my own bad album artwork for some time now and would like to present my findings in the first of not so often series. Despite a lot of these being anatomically incorrect I believe there is a certain charm present.


Its pretty easy to poke fun at metal art like this. Lets move on.


Bitches Sin showing a complete lack of respect for art history.


What makes this one so bad is the look of puzzlement on the barbarian's face. Or maybe its the sudden realisation of the situation he's in. Or the terrible font choice.


I spent 5 years at art college. The first lesson they ever taught us was that smudging is no substitute for shading. Druid's artist buddy obviously never attended art college.


I always feel bad about ragging on Pantera ( which I often do) but then I think of this cover and the feeling passes.


More recently we have this monstrosity. You would think with the obvious money this band have available for artwork and design they would try and avoid the "Amiga 500 game artwork" vibe the artist seemed to be going for.


I love Vision Of Disorder. But this cover still blows to this day. I have tried to work out what the theme was or how it links with the music. Always drawn a blank.


I sort of like this one. I don't know if its the homeless, crackhead criminal with his tattered shirt or the young lady enjoying the sunset unawares that does it for me.


This album actually contains some pretty sweet, pump up, montage-esque, Miami Vice jams. Sadly I don't know anyone that would want Russ Ballard leaping at them in 3D or even in real life. You didn't even get 3D glasses with it.


I can just imagine the brief for this one "The devil emerging from his cave/lava pit and trying to grab a flying horse." Pretty specific and I am pretty sure that's what they got by the look of this. This is actually my desktop background now.


Obviously there is nothing slightly wimpy about this cover other than the ink started running out as they where finishing the nude dude's torso shading.


All that is missing are the obvious lines on the A4 paper it was drawn on.


I had this written of as some terrible 7th generation nu-metal band going of this cover. Sadly, during this research I found out its a German Avenged Sevenfold covers band. I would like to think they have some concept of why a Werewolf is dressed like one of The Blues Brothers and running along the highway in the rain. But I really doubt that.


What makes this bad is the fact its got the Waking The Cadaver font at the top. Otherwise this would be a pretty sweet image. But the sudden association with terrible gore/slam/death malarky means it is relegated to bad artwork corner


Every one's favourite industrial elf surely knew this was a stinker from the get go. I don't know if this has any relation the the film/TV series of the same name or why he has chosen to show himself floating with a glowing aura. Completely unrelated, I remember hearing a story about Mortiis trying to hail a cab outside his record companies office when this album was out. They wouldn't stop so he was forced to walk the streets in full costume.

TO BE CONTINUED......